Chinaman’s Beach House
A terrace extends along the full length of the north wall, sheltering the large bank of sliding timber doors.
Built on a site that falls almost thirty metres, Chinaman’s Beach House sits elegantly in its surroundings.
The kitchen, at the highest level of the western section, features a Nefiko marble bench.
Timber staircases are suspended on thin steel rods, creating slotted views of the outdoors.
Steep views from the staircase add an element of drama.
Thick, hewn natural stone walls create a warm, tactile environment in the lower levels.
Large sliding doors with recycled blackbutt frames give the impression of a bedroom in the treetops.
Two separate volumes are set either side of a courtyard, linked on the southern side by a path.
This new house sits comfortably within its precipitous setting, and despite its size the architect has created a series of welcoming spaces.
Designing on steep sites inherently poses a myriad of challenges. In the hands of a less skilled practitioner, this will invariably result in the visual malaise that comprises most of the harbour-side suburbs of Sydney. Implicit are issues such as bulk, scale, view sharing, privacy, circulation topography and exposure, while clients’ expectations to maximize views and develop the site to its full potential add additional pressure to these already difficult projects.
Chinaman’s Beach House, designed by Fox Johnston Architects, places itself within this milieu. The challenge of creating a house that would sit comfortably on a site that falls almost thirty metres from the front to the back required not just a high level of technical proficiency, but an attitude as to what the house “is.” It is this extraction of an essential idea that arguably results in the success or failure of such houses. For Fox Johnston, such an ideal was a clear intention of ensuring that the house, despite its size, strongly engendered a feeling of home, with spaces that felt familiar by virtue of their scale, proportion and material, with a clear approach to planning and formal composition.
The house is designed as two separate volumes set either side of a central courtyard and linked by a vertical circulation route on the southern side. The highest level of the western section accommodates the kitchen and informal eating space, with guest accommodation below. The eastern part contains the formal living and dining spaces, with the main bedroom on the middle level. A basement, which includes a cellar and a private, self-contained suite, sits embedded at the lowest level. A lap pool is incorporated on the northern face of the house, accessible to the main internal courtyard. Such a direct and uncomplicated resolution of program and the client’s brief – for a home for a single person, with room for visiting family members – sets the tone for the spatial sequence throughout. The resulting experiences are varied and diverse, underpinned by the architects’ values of making spaces that are hospitable, inhabitable and discrete.
Creating a narrative through materiality and controlled views is paramount to understanding the house and the feelings it evokes. From the entry level, perched high on the site, one is cast out into the expanse above the treetops by a fully glazed, mid-level landing, only to then be coerced away by the ongoing descent of the staircase and anticipation of the unveiling scene ahead, now controlled by slotted, framed views. Duality of experience, safe and precarious, is implicit in the journey. The timber staircase is deftly suspended on almost improbably thin steel rods, coming to rest just above floor levels, while slatted timber walkways float above each other, set against the backdrop of a massive south window that appears to let the site slide underfoot. Below is a precipitous ravine that may be unwittingly fallen into, should a slat give way. Yet the worry is quickly eroded, as the precision and skill required in achieving such drama is a reminder that this is a considered and crafted house, sensitively composed and elegantly detailed to achieve its objective.
This aspect of nature impinging upon house is inherent to steep sites, particularly in relation to exposure. Contrary to common belief, north orientations are subject to strong breezes that can make outdoor spaces unpleasant and uninhabitable, unless you have adequate protection. A key aspect of the main living area is the terrace, and the provision of deep undercover areas that protect from strong north-east summer winds. The copper wall to the south addresses cold winter winds. The terrace extends along the full length of the north wall, sheltering the large bank of sliding timber doors. Indoor and outdoor spaces are now in companionship, rather than paying lip service to the usual cliché of the “seamless transition,” without proper acknowledgment of relevant climatic conditions. While lower floors can be dark, cold and uninviting, here the private suite feels contained and reflective, with views contained between thick stone walls, a tactile and sensory enjoyment emanating from the warmth of hewn natural stone. Additionally, the two main walls to the south, with their gentle striated copper-clad curves, soften the mass of the house and allow the building to meld with the surroundings.
These aspects appear so simple and obvious – but that must not for a moment take away from the depth of the process, skill and attitude required, and exhibited, by Fox Johnston in the orchestration and execution of a house that sits elegantly and comfortably in its surroundings. As a result, it is neither obtrusive nor underplayed, balanced by the architect at every turn.
