The spirit and character of a modest postwar bungalow have been retained and celebrated by its architect-owner, who has reconnected the home to its backyard.
Sam Crawford Architects has restored and extended a weatherboard cottage towards views of a heritage-listed Moreton Bay fig tree in the backyard.
A new coastal home by Fergus Scott Architects that can accommodate up to thirty relatives and friends.
A carefully considered rebuilding of a coastal semidetached home by Jason Gibney Design Workshop.
This Blue Mountains house by Peter Stutchbury Architecture deftly explores the relationship between building and landscape; moments of intensity and quietness, light and shadow, heighten the “real” in the everyday experience.
James Russell Architect has employed complex layers of enclosure and transparency in the design of this home, inviting comparison with breezeblock houses of the Gold Coast of the past.
A terrace house renovation by Adrian Amore Architects with a stair that functions as much more than just vertical circulation.
A layered arrangement of volumes and materials gives this new home by Andrew Burges Architects a spatial richness and complexity that balances privacy and outlook.
This alteration and addition to an inner-city terrace house by Jackson Teece is a second attempt by the owners to create their dream home. This time around, they have succeeded.
Responding to a brief that included the request, “I don’t want to be an architectural victim,” Michael Banney and Michael Christensen used a healthy mix of self-doubt, excitement and earnestness to create Hamilton House, one of their first projects.
Designed in 1974, this climate-responsive, twelve-sided home in the Brisbane bush combines a sophisticated design concept with a structural system of exceptional economy.
Designed according to the philosophy that “less is more,” this layered family home by People Oriented Design offers an engaging contribution to the conversation about twenty-first-century Queensland architecture.
Behind a rebuilt heritage facade, this home by Ha offers ample daylight and a rewarding journey of spaces, from a clever sunken living area to a rooftop terrace with city views.
This refurbishment of a narrow terrace house by Benn and Penna Architecture presents the client with a light-filled, monastic and disciplined setting for life to unfold.
Reddog Architects has peeled back a 1980s home and reprogrammed it into an interconnected “collection of pods” that respond to the subtropical climate.
Day Bukh Architects has created an addition to a Federation-style bungalow in Sydney’s Randwick by carefully cutting, folding and suturing the new fabric into the old.
Sans-Arc Studio creates a Scandinavian-inspired extension to a 1920s worker’s cottage in Adelaide that gives the owners a home they can “wake up and feel really happy in.”
Bold “monumental geometry,” a muted palette and the integration of indoor and outdoor spaces have revitalized an old orange brick home in this addition by Kennedy Nolan.
Set alongside a train line, this new house makes the most of its challenging setting to create a private and secure place of retreat for its owners.
David Mitchell Architects reworks his own inner-Sydney worker’s terrace to create a light-filled home and studio that offers a “site-specific theatre performance.”
McGregor Westlake Architecture has responded with vigour to a challenging site in Sydney’s Woolloomooloo, creating a quiet and robust retreat from the cacophony of the city.
Architect Clinton Murray’s first residential commission all started with a handwritten letter from Europe.
A compact, but generous home wrapped in cladding salvaged from the small Victorian cottage that was originally on the site.
A “nearly derelict squat” has been transformed into a labyrinthian dwelling that celebrates the work of an artist who once called the site home.
A striking pavilion duo by Sparks Architects that encourages a connection with the landscape while referencing the heritages of the owners.
A flexible home with a diversity of spatial moods and experiences: Canada Bay House.
An interesting model for alterations and additions to a Queenslander home: Camp Hill Extension by Neilsen Workshop and Morgan Jenkins Architecture.
This early 1970s structure holds a commanding presence on its sloped site, demonstrating skilful choreography of the experience of arrival and considered layering of horizontal and vertical planes.
A pair of pavilions come together to create a family home that considers privacy, thermal comfort and spatial delight.
Architects EAT co-director Albert Mo reflects on the practice’s first residential project, which transformed a rundown house that “no-one wanted.”