Day Bukh Architects has created an addition to a Federation-style bungalow in Sydney’s Randwick by carefully cutting, folding and suturing the new fabric into the old.
Sans-Arc Studio creates a Scandinavian-inspired extension to a 1920s worker’s cottage in Adelaide that gives the owners a home they can “wake up and feel really happy in.”
Bold “monumental geometry,” a muted palette and the integration of indoor and outdoor spaces have revitalized an old orange brick home in this addition by Kennedy Nolan.
Set alongside a train line, this new house makes the most of its challenging setting to create a private and secure place of retreat for its owners.
David Mitchell Architects reworks his own inner-Sydney worker’s terrace to create a light-filled home and studio that offers a “site-specific theatre performance.”
McGregor Westlake Architecture has responded with vigour to a challenging site in Sydney’s Woolloomooloo, creating a quiet and robust retreat from the cacophony of the city.
Architect Clinton Murray’s first residential commission all started with a handwritten letter from Europe.
A compact, but generous home wrapped in cladding salvaged from the small Victorian cottage that was originally on the site.
A “nearly derelict squat” has been transformed into a labyrinthian dwelling that celebrates the work of an artist who once called the site home.
A striking pavilion duo by Sparks Architects that encourages a connection with the landscape while referencing the heritages of the owners.
A flexible home with a diversity of spatial moods and experiences: Canada Bay House.
An interesting model for alterations and additions to a Queenslander home: Camp Hill Extension by Neilsen Workshop and Morgan Jenkins Architecture.
This early 1970s structure holds a commanding presence on its sloped site, demonstrating skilful choreography of the experience of arrival and considered layering of horizontal and vertical planes.
A pair of pavilions come together to create a family home that considers privacy, thermal comfort and spatial delight.
Architects EAT co-director Albert Mo reflects on the practice’s first residential project, which transformed a rundown house that “no-one wanted.”
A home for “simple, rugged, no-fuss living”: Upsilon House by MCK Architecture and Interiors.
Featuring crisp geometry, simple spatial arrangements and rigorous detailing, this lean timber-clad home was designed by Noxon Giffen for sustainability, comfort and a strong connection to the landscape.
A home by Troppo Architects that’s “always forest, always beach, always lighthouse.”
Jule House by Claire Humphreys and Kevin O’Brien Architects delicately references a family’s past while offering a setting for contemporary living.
This flexible family home, the practice’s first built project, accommodates two households in one and delivers a series of seductive architectural volumes.
Four new halls of residence, by Jackson Clements Burrows Architects, McBride Charles Ryan, and Hayball and Richard Middleton Architects, are shaping the urban environment of the Clayton campus and fostering a sense of community.
Designed as a country retreat, this environmentally sustainable home is a curious fusion of a vernacular barn-like aesthetic and a modern architectural language.
This new house by Vokes and Peters employs traditional architectural motifs in unconventional ways, all the while responding to its site, street and city.
To meet the brief, which included housing five cars, Shaun Lockyer Architects used a relatively simple construction of brick, steel sheeting and fibre cement and then “lifted up” a level, offering tremendous views.
An interplay between “sensual curve and straight edge” gives spatial drama and delight to this addition to a Federation home by Christopher Polly Architect.
Stephen de Jersey Architect has extended the spatial and material characteristics of an old Queenslander to result in a striking yet respectful addition with delightful settings for everyday living.
Designed in 1955 by Chancellor & Patrick for Gerald and Ellen McCraith as a holiday house, this home captures the optimism of Australian beach culture at the time.
Chenchow Little create a deceptively simple yet skilfully crafted apartment in Sydney for a couple of downsizers with an extensive art collection.
Ola Studio take cues, but not directly, from the existing 1880s home to create Garth House.
Renovations have breathed new life into a Californian bungalow, stitching it into the garden, while respecting the character of the much-loved existing dwelling.