With a wink to the brick cottage’s Arts and Crafts heritage, this addition by Tribe Studio relaxes the home’s original formality, brings focus to the garden and offers thoughtful elements of surprise.
This reductive addition to a four-room cottage by Panov Scott endeavours to “find the essential” and in doing so, embraces human comfort and cumulative experience.
An apparently faceless building by Architects EAT reveals itself as a layered and sculptural home that playfully controls light and shadow throughout the day.
Renovating and extending their own home was well worth the time and money for Annabel Lahz and Andrew Nimmo, who used this project to establish their practice Lahznimmo Architects. Over twenty-one years later, Andrew reflects on taking the leap of faith into their own business.
This modest home, designed in the late 1970s by Rodney Chambers for himself and his family, is grounded within the beauty of the surrounding garden.
This highly crafted addition to an Edwardian home retains the existing building’s dignified formality while offering robust new spaces for celebrating contemporary family life.
This “open and transparent” addition is tucked neatly behind a weatherboard house, taking inspiration from the client’s love of modernism and fond memories of growing up in a Merchant Builders home.
A theatrical reworking of an existing townhouse uses colour and contrast to boldly define the series of spaces.
Representing the socially conscious ideologies of its designers, this cleverly stitched-together, barn-like family home is “engaging, honest and refreshingly straightforward.”
Robust, tactile and honest, the design of this new house responds instinctively to its setting, celebrating the human experience and artisanal values.
Perched high on a rocky outcrop, this expressive home reveals a strong connection with the experimental architecture of mid-century modernism.
Drawing in surrounding bushland and establishing new internalized landscapes, this new home intimately engages with its context and climate.
James Davidson Architect’s first hurdle in creating “the best reef house in the world” was designing how to build it, rather than what to build.
A modest extension for his in-laws provided Paul Porjazoski of Bent Architecture with a springboard from which to launch his practice.
This elegant and considered addition preserves the feel of the original 1920s Craftsman cottage while adding a fresh interpretation of the existing style.
A Japanese–Australian collaboration between Tato Architects and Phorm Architecture and Design has resulted in an unusual hybrid of contemporary Japanese design and the local Queensland vernacular.
Showing restraint and simplicity, a new home by Powell and Glenn is animated by the changing light and shade.
An adaption of a beachside terrace by Archer Office that feels “generous, considerate and creative.”
A subtle arrangement of garden courtyards creates an oasis of greenery at the Courtyard House by Figr Architecture.
The spirit and character of a modest postwar bungalow have been retained and celebrated by its architect-owner, who has reconnected the home to its backyard.
Sam Crawford Architects has restored and extended a weatherboard cottage towards views of a heritage-listed Moreton Bay fig tree in the backyard.
A new coastal home by Fergus Scott Architects that can accommodate up to thirty relatives and friends.
This Blue Mountains house by Peter Stutchbury Architecture deftly explores the relationship between building and landscape; moments of intensity and quietness, light and shadow, heighten the “real” in the everyday experience.
James Russell Architect has employed complex layers of enclosure and transparency in the design of this home, inviting comparison with breezeblock houses of the Gold Coast of the past.
A terrace house renovation by Adrian Amore Architects with a stair that functions as much more than just vertical circulation.
A layered arrangement of volumes and materials gives this new home by Andrew Burges Architects a spatial richness and complexity that balances privacy and outlook.
This alteration and addition to an inner-city terrace house by Jackson Teece is a second attempt by the owners to create their dream home. This time around, they have succeeded.
Responding to a brief that included the request, “I don’t want to be an architectural victim,” Michael Banney and Michael Christensen used a healthy mix of self-doubt, excitement and earnestness to create Hamilton House, one of their first projects.
Designed in 1974, this climate-responsive, twelve-sided home in the Brisbane bush combines a sophisticated design concept with a structural system of exceptional economy.
Designed according to the philosophy that “less is more,” this layered family home by People Oriented Design offers an engaging contribution to the conversation about twenty-first-century Queensland architecture.