Endorsed by

Austinmer Beach House

A house by Alexander Symes Architect in association with G+V Architecture “almost leaps into the view,” on its beachfront block on the NSW South Coast.

Architect Alexander Symes is standing in a privileged position. From the construction site of his current project he is looking across the water to his recently completed Austinmer Beach House. These two projects bookend the beach at Austinmer and bring a new level of environmentally sensitive architecture to the area.

It’s easy to be seduced by the prospect of a sea change when visiting this coastal hamlet just south of Sydney’s Royal National Park. The clients, having returned to Sydney after stints in Amsterdam and London, sidestepped the metropolitan area to take advantage of everything this coastal hamlet can offer a couple starting a family. After purchasing a prime beachfront block topped with a classic fibro shack, they decided to create a family home that would maximize the aspect onto the water and headland while providing privacy. Environmental concerns were not initially at the forefront of the couple’s minds. However, the pairing of Alexander Symes and local master builder Matt Jolley meant their respective abilities with sustainable methodologies were unified, and they have used them to create an efficient, low-ecological-impact home that more than meets the clients’ lifestyle needs.

The open-plan living space with a void above the dining table.

The open-plan living space with a void above the dining table.

Image: Nicholas Watt

Austinmer Beach House stands tall above the adjacent tiled roofs. According to Alexander, the main aim of the design response was “framing and accentuating the opportunity.” Taking the form of an elongated timber box perched on concrete columns, Austinmer Beach House breaks from rigid symmetry through an attenuated curve that almost leaps into the view. The dwelling is programmed into three distinct elements: the open-plan communal space comprising kitchen and living areas that spill onto a north-facing terrace and lap pool, the floating box that houses bedrooms and bathrooms, and the subterranean loggia that offers a secondary entertaining space complete with wine cellar and courtyard. Each element has a different thermal mass, insulation and shading strategy.

If there is something of a Scandinavian feel to the project, it could be because Alexander spent time studying in northern climes. In fact, he cites both Jørn Utzon and Sigurd Lewerentz as design influences. “I spent a year of weekends drawing the Opera House and realized that the continuity and rhythm of the podium is what makes the sails float and dance … The same strategy is used in this house,” he explains.

Extensive site works created a level platform under which a three-car garage and loggia could be accommodated. Demolishing the cottage necessitated the careful removal of asbestos; remaining materials were sorted into recyclables and non-recyclables. All timbers were reused and suitable brick, stone and concrete were milled and returned to the site to replace aggregate for retaining walls. The rest of the material palette comprises low-OPC concrete, PEFC-certified blackbutt timber for both framing and cladding, recycled brick and reclaimed railway sleepers. Reducing the selection to fewer exposed materials put extra emphasis on craftsmanship.

Shade screens on focus attention on the views while ensuring privacy.

Shade screens on focus attention on the views while ensuring privacy.

Image: Nicholas Watt

Elevating the ground plane has meant every space in the new build celebrates either the seascape to the north-east, or the mountains to the west. These extended vistas help enhance the house’s sense of calm, as does a six-metre-high void above the dining table. In the main living area, the thermal mass of concrete and double brick absorbs the winter sun during the day, while the floating box shades the living areas from summer radiation. Temperature sensors concealed in the bulkhead activate eco-powered exhaust vents; essentially, the space acts as a giant lung that automatically breathes out hot air and draws through cooler air. All glazed walls can be opened fully to maximize cross-ventilation. Insulation ensures a stable thermal envelope, and is augmented by underfloor hydronic heating. Upstairs, windows are recessed deeply. Here, Alexander has eschewed traditional top awnings and implemented westerly shade screens that focus attention on the views while ensuring privacy from the street.

In many ways, the house is designed as a landscape, with the materials progressing from inside to outside and vice versa. Alexander has anchored the entry to the south of the site with a 2.4-metre-wide double wall of recycled bricks that provides a continuous landscape element and which houses the kitchen, laundry, powder room and bar keep under the stairwell. Those familiar with Lewerentz’ Klippan church might recognize signature patterns and methods of bricklaying that express the qualities of the brick. Alexander’s preference for dematerialized surfaces honours the Swedish architect and supports efforts to reduce the amount of materials and finishes used.

“I don’t see a need for additional finishes like plasterboard when exposed timber, brick and concrete have such a robust beauty. I’m more interested in how you can make something exciting in order to reduce its environmental impact,” says Alexander, pointing out the way exposed cables are artfully arranged on the ceilings and the way peekaboo holes in the stairwell and drying room add playful interest and break up the mass.

The planting in the garden duplicates the flora of the local area. This landscaping is both symbolic and functional, as the plant species are located in their preferred environments in terms of sunlight, soil depth and wind exposure. Already, the native mix of flora is helping to re-establish the biodiversity of the area – a water dragon has taken up residence in the saltwater pool and adjoining scrub.

When asked how he likes to describe this project, Alexander refers to the residence as “just a beach house.” It’s a modest response given that the home has been honoured with multiple awards. Ultimately, the home sets a welcome eco-responsive benchmark for the area, especially in terms of the consideration given to designing the form for optimal coastal living, minimizing environmental impacts and improving energy efficiency.

Products and materials

Roofing
Fielders roofing; Air Cell insulation.
External walls
Big River Timbers blackbutt with Intergrain Ultra Clear Exterior finish; The Brick Pit recycled Sydney sandstock bricks.
Internal walls
Big River Timbers blackbutt with Intergrain Ultra Clear Interior finish; The Brick Pit recycled Sydney sandstock bricks; CSR plasterboard with Dulux low-VOC paint.
Windows
Hanlon Windows thermally improved Argon windows; Aneeta sashless windows with bronze anodized finish.
Doors
Acacia Joinery custom doors; MJB Custom Woodworking custom doors.
Flooring
Big River Timbers blackbutt with Intergrain Ultra Clear Interior finish; The Brick Pit recycled Sydney sandstock bricks; Descrete Australia OPC alternative, burnished, with brick inlays.
Lighting
Bocci custom LED lamps; all other lighting by LightCo.
Kitchen
Qasair rangehood; Miele cooktop, microwave combo, warmer drawer and dishwasher; Zip chiller tap; Abey tap; Liebherr fridges; Poliform timber veneer and polyurethane joinery; other joinery by Steve’s Joinery.
Bathroom
Seido toilet suite with wall-hung pan; Milli tapware; Rettangolo fittings; White Stone basins.
Heating/cooling
Edmonds Ecopower and Hurricane vents; LightCo ceiling fans.
External elements
Recycled railway sleepers; The Brick Pit recycled Sydney sandstock bricks.

Credits

Architect
Alexander Symes Architect
Blackheath, NSW, Australia
Project Team
Alexander Symes, Furio Valich, Marc Orberhauser, Alicia Pozniak, Julian Carrasco, Edwin Venegus
Architect
G+V Architecture
Rosebery, Sydney, NSW, Australia
Consultants
Builder Matt Jolley Builder
Interiors Maven Creative
Landscaping Melissa Wilson Landscape Architects
Lighting LightCo
Services engineer MPI Consulting
Structural engineer Detom Design
Town planning Group GSA
Site details
Location Wollongong,  NSW,  Australia
Site type Coastal
Category Residential buildings
Type Houses, Residential
Project Details
Status Built

Source

Project

Published online: 1 May 2013
Words: Freya Lombardo
Images: Nicholas Watt

Issue

Houses, February 2013

Related topics

More projects

See all
Constructed of predominantly prefabricated components, the Incubator meets a challenging brief for a building that was quick to construct, was easy to relocate in the future and would allow flexibility of use. Next level prefabrication: Macquarie University Incubator

In this temporary education building by Architectus, which requires flexibility of use, prefabrication and swift construction offer a design-driven vision for the demountable building of …

The curving, singular form, which occupies the south-east corner of the campus, acts as a grandstand-like backdrop to the adjacent oval. Geoff Handbury Science and Technology Hub

Enveloped in an intriguingly veiled and aptly futuristic form, this new facility at Melbourne Grammar School offers some compelling insights into the future of science …

Studios are contained within the two-storey stables wing. First-floor studios on new floors are broken up with floor-to-roof voids that allow views of the original structure. Intricate recasting: The Stables, VCA

This considered refurbishment honours a once-vital part of Melbourne’s infrastructure, transforming the formal rhythm of stables and riding halls into flexible studios and performance spaces …

The student hub’s internal face brick walls are topped with a sawtooth roof that provides great natural light. Show the ropes: Notre Dame University Student Hub

In Fremantle, Cox Architecture’s sensitive reworking of a former rope-making warehouse aims to make a university hub more appealing and accessible to students.

Calendar