Indigenous garden opens in heart of Melbourne

Ngarara Place, a Indigenous landscape designed by Greenaway Architects, has opened at RMIT University’s city campus.

The initial idea for Ngarara Place came from RMIT Ngarara Willim Centre – to build a visible presence and recognition of the Aboriginal and Torres Strait Islander people, cultures and histories as connected among the lands of the Kulin Nations in which RMIT stands.

The design of the space draws on four key pillars – connection to Country, cultural motifs, contemporary Aboriginal art and knowledge exchange.

Created, designed and built by a mainly Indigenous team, the space includes an Indigenous-themed courtyard area, amphitheater-style seating, sculptural laser-cut smoke pit, and a space to host ceremonies, gatherings and events.

A sculptural laser-cut smoke pit at Ngarara Place at RMIT City Campus by Greenaway Architects.

A sculptural laser-cut smoke pit at Ngarara Place at RMIT City Campus by Greenaway Architects.

Image: Moorina Bonini

Greenaway Architects’ director Jefa Greenaway, the first Indigenous registered architect in Victoria, said the initial starting point of the project was to reinforce the importance of Aboriginal people’s connection to Country. This idea was explored through the seven seasons of the Kulin Nation, an alliance of five Indigenous tribes in south central Victoria.

“Consequently this aspect saw the division of the design into seven sections, with six on the ground plane and one vertical plane,” Greenaway said.

The second key element of the design is the cultural motifs, which include a number of radiating arms which reach out to adjacent buildings. These design features infuse cultural motifs that pick up on Indigenous cultural and artistic practices, namely traditional carving practices and body paint, represented through etched paving graphic.

People attend the opening of Ngarara Place at RMIT city campus by Greenaway Architects.

People attend the opening of Ngarara Place at RMIT city campus by Greenaway Architects.

Image: Moorina Bonini

Contemporary Aboriginal art is the most visible gesture in the design. Specifically curated by Aboriginal digital artist Aroha Groves, the piece evokes nature, place and connections to Country and acts as a backdrop that reinforces the landscape setting in which it is located.

Greenaway said the space acts as a place of pause or contemplation within the bustle of a busy university. All the plants used in the space are endemic and are used to communicate the importance of landscape in sustaining life and cultural practices, including some that are traditionally used for edible, medicinal and practical purposes.

“The landscape reinforces and reveals layers of history and meaning through an active gesture of reconciliation, while infusing Indigenous sensibilities within the heart of Melbourne and begins to broaden the frame of reference in which people can connect to place,” Greenaway said.

Related topics

More industry news

See all
Arup, Breathe and TCL landscape architects have been selected as the design consortium responsible for delivering a new, mixed-use community in Thebarton, Adelaide. Design consortium selected for billion dollar redevelopment in Adelaide

Arup, Breathe and TCL landscape architects have been selected as the design consortium responsible for delivering the master plan for a new, mixed-use community comprising …

The Tasmanian Heritage Council determined on April 17 to permanently include the goods shed on the state heritage register, therefore ensuring its protection from demolition. Hobart's proposed Mac Point Stadium faces precarious future following heritage listing of goods shed

Hobart’s Macquarie Point Stadium proposal faces an uncertain future, following the Tasmanian Heritage Council’s decision to permanently include the Hobart Railway Goods Shed, situated at …

Most read

Latest on site

LATEST PRODUCTS