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Social butterfly: Local House

This renovation and addition to a Californian bungalow by Make Architecture offers its owners an active connection with the St Kilda community.

Great architecture is more than beautiful form and details, more than skilful planning or even clever ideas writ large. Great architecture sheds light on how we live – in the community, the wider environment – in a more sustainable and long-term way. The problems of the contemporary city are not new: sprawling, with increasing density that comes with the risk of individual isolation and threatened community infrastructure. Melissa Bright, director of Make Architecture, is very aware of these challenges and works to address them across larger-scale competitions, as well as in the practice’s characteristically delightful and spatially economical homes. Local House, created for a small family in St Kilda, is an excellent example.

The creation of great architecture is helped by good clients and Local House was no exception. The clients met with Make Architecture with the desire to renovate and add to their existing Californian bungalow and make an active connection with the community. They wanted the design to draw on their love of cafes and local, social spaces rather than more typical architectural examples. The clients also wanted a home that they could share with their friends, family and the local community. The strategy was to keep the existing bungalow, tidy up the front two bedrooms and then add a new kitchen and a flexible dining/living space on the ground level, and a main bedroom with an ensuite upstairs. Out the back, bookending the backyard and connecting the home to the rear laneway, is a flexible studio/garage.

The garage/studio makes a direct connection to the context and passers-by in the laneway.

The garage/studio makes a direct connection to the context and passers-by in the laneway.

Image: Peter Bennetts

Melissa is a skilled architect who understands the potential of architecture from the scale of the brick – the material detail – right through to the overall siting strategy that makes the building work in its broader context. Here, the red brick of the original home is carried through to the exterior surfaces facing the backyard, while at the very rear, the bluestone of the laneway is continued into the flooring of the studio/garage building.

The architect’s interest in the diagram is evident in her handling of a series of continuous folding concrete elements that form a connecting and flexible base across the new work. Referred to as a type of garden pavilion, the new living space opens up to the backyard and has a conceptual and formal clarity typical of the firm. This central living space, with its double-height void, is configured by a concrete kitchen bench that becomes one of several “surfaces for living.” This then folds down to become built-in seating that continues to the threshold of the extended living room and garden. The concrete seats make a nook, a place to sit in the sun or at night, a spot for guests to drink cocktails. Outside, wrapping around a raised garden bed and making a connection to the rear garage/studio, extends another concrete seat running geometrically along the property’s northern edge. The concrete also rises in the kitchen to form an inside/outside fireplace. Intentionally durable and tough, these surfaces read more like those typical of a cafe or a warehouse than a home.

Intentionally durable and tough, the surfaces of the kitchen and dining areas read like those typical of a cafe or warehouse.

Intentionally durable and tough, the surfaces of the kitchen and dining areas read like those typical of a cafe or warehouse.

Image: Peter Bennetts

Looking back at the house from the garden, one of the most visually spectacular elements of the architecture is revealed: a large-scale timber screen that defines the western elevation of the home. This screen – with its musical rhythm of sliced timber pieces – is beautiful. It works to protect the main bedroom from the sun while also conforming to regulations relating to the transparency of screens overlooking neighbouring backyards. Recalling something of Kengo Kuma’s timber detailing, and Le Corbusier’s La Tourette Monastery or the wonderful abstractions of the Chandigarh Palace of Assembly building and Unite d’Habitation brise soleils, this element exemplifies Melissa’s fascination with pattern, texture and the qualitative potential of thresholds.

The timber screen protects the main bedroom from the sun while also conforming to regulations regarding to neighbour privacy.

The timber screen protects the main bedroom from the sun while also conforming to regulations regarding to neighbour privacy.

Image: Peter Bennetts

Defining the rear edge of the garden is the studio/garage. Intended as an entertaining space, teenage retreat, home office, studio and garage, the detailing of this building is characterized by elegant robustness and flexibility. Large sliding glass doors suggest the programmatic ambiguity, and the edge of the building that meets the laneway can be completely opened up. The concrete base and surfaces continue forming robust desks, a workbench and seats for spontaneous conversations and drop-ins by neighbours. The home’s versatility and openness also allow for a certain visual generosity that connects the house to its local community. From the laneway, you can view directly through this studio space into the garden and living spaces of the house proper. And these clients enjoy those moments of openness and direct connection to the context and passers-by rather than the typical closed-off, self-contained domesticity. This move, in turn, activates the laneway and works as an alternative model for public/private relations in the suburbs. The potential is for active and shared laneways, places for congregation, play and social exchange as well as a pathway through to shopping and cafe precincts. And in a final gesture of contextual reciprocity, the rear concrete elements of the main house and studio have been made with formwork constructed from the old fence palings – a common material made a little more special with moments of subtle texture and pattern.

The great success of this project is found in the way connection is made between the new work and the existing structure. This is achieved through the various formal riffs and material continuities, the flexible planning, the enabling of a social and visual connectivity through the house and finally the delight – not to be underestimated – found in the spatial and formal manoeuvres of this addition.

Local House by Make Architecture received commendations for House in a Heritage Context and Outdoor in 2015 Houses Awards.

Products and materials

Roofing
Fielders metal roof sheeting in Colorbond ‘Monument’.
External walls
Adbri Masonry bricks in ‘Ebony Honed River Gravel,’ ‘Ebony Basalt Shot Blast’ and ‘Ebony Standard’.
Internal walls
Murobond Murowash bricks, bagged; Dulux Wash and Wear low-sheen paint in ‘White Duck Quarter Strength,’ Aquanamel semi-gloss paint in ‘Black Caviar,’ Dry Erase whiteboard paint and Super Enamel semi-gloss paint in ‘Dandelion Yellow’.
Windows
Breezway Altair Louvres Stronghold System; Velux top-hung skylight; Aneeta sashless double-hung interlocking window; blackbutt timber frames with Cutek oil finish; Brio single-run window tracks.
Doors
Blackbutt timber frames with Cutek oil finish; Brio single-run door tracks.
Flooring
Messmate in ‘Rubio Cotton White’; Tretfords carpet in ‘Dapple Grey’; polished concrete.
Lighting
Anchor Ceramics Potter lights; Lab de Stu Popper pendant; ISM Objects HD2 wall lights; Tub Design Aurora pendants; Life Space Journey Spun light from Cafe Culture + Insitu; modular smart surface-mounted lights from JSB Lighting.
Kitchen
V-Zug cooktop, rangehood, oven and dishwasher; Anchor Ceramics splashback in black metallic finish; Astra Walker mixer; Liebherr fridge; joinery painted in Dulux ‘Black Caviar’ and ‘Dandelion Yellow’; benches in stainless steel and polished concrete.
Bathroom
Astra Walker shower rail and rose; Neo basin, Kaldewei bath and Scala mixers all from Reece; Academy Tiles penny round mosaic tiles in yellow; Classic Ceramics Basaltina Grigia floor tiles; Inax wall tiles from Artedomus; Johnson Tiles Shark wall tiles.
Heating and cooling
Cheminees Philippe Radiante fireplace from Wignells; Heatmaster fireplace.
External elements
Bluestone pavers.
Other
Anchor Ceramics planters; Vista sofa and Seb chairs from Jardan; Jill coffee table from Tait; Ox Denmarq KS Chair from Great Dane; Cross base bed from Mark Tuckey; Electrolux barbecue.

Credits

Architect
Make Architecture Studio
Kew, Melbourne, Vic, Australia
Project Team
Melissa Bright, Bruce Rowe, Rob McIntyre, Gillian Hatch, Emily Watson, Todd de Hoog
Consultants
Builder 4AD Construction
Engineer Hive Engineering
Landscape design Make Architecture Studio
Landscaping construction 4AD Construction
Soft landscaping Marian Bonadeo and client
Site details
Location Melbourne,  Vic,  Australia
Site type Suburban
Site area 474 m2
Building area 284 m2
Category Residential buildings
Type Houses, Residential
Project Details
Status Built
Completion date 2014
Design, documentation 12 months
Construction 10 months

Source

Project

Published online: 10 Aug 2015
Words: Anna Johnson
Images: Peter Bennetts

Issue

Houses, June 2015

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