O’Brien Centre

A complex functional brief on a difficult corner site adjacent to the heritage St Vincent’s Hospital, BVN’s new O’Brien Centre was an architectural challenge.

Amalgamating three previously separate services – drug and alcohol, community health and mental health – the O’Brien Centre at St Vincent’s Hospital in Darlinghurst, Sydney, had a highly complex brief. BVN Architecture was appointed to take up the challenge which was all the more difficult because of its site – a narrow corner block on Victoria Street, directly adjacent to the heritage deLacy building.

The first architectural decision was to celebrate rather than obscure the facade of the 1890s heritage deLacy building. By pulling the O’Brien away from its neighbour, a courtyard was created on the street corner and the deLacy facade is revealed with its fine details, period corbelling and 1930s colonnade. The western facade of the O’Brien building, made of 182 panels of perforated bronzed anodized screen, provides a contemporary counterpoint to the existing building without over- powering it. On the places where the two sites border one another, the deLacy building is used on a number of occasions as a screening device in the many courtyards and outdoor areas of the O’Brien building. This way, the heritage look is revealed, while acting as a physical barrier to enclose and protect patients.

The western facade is constructed from panels of perforated bronzed anodized screen.

The western facade is constructed from panels of perforated bronzed anodized screen.

Image: John Gollings

The operational brief of the building is complex, requiring facilities for a range of patients with different special needs, as well as having to be serviceable for visitors and providing a workable, positive environment for staff with often-stressful jobs. Rather than making assumptions about the way that hospitals are usually run, BVN’s design approach focused on the functional brief and how best to create a building to service those needs. “We looked at things like how people experience the building, how you use natural light, the importance of staff, the importance of visitors,” explains BVN principal Tracy Lord. “Questioning what’s going on, why things are a certain way, and considering it as a piece of architecture rather than a clinical space.”

Another of the major architectural decisions was to put an atrium in the middle of the building, creating a stairwell from levels three to seven, with a glass roof and glass facade. This solved a number of problems associated with the unusual site as well as allowing natural light to filter into the core of the building and allowing views out. “One of the problems with traditional hospital design is that corridors are enclosed,” explains Lord. “What was important for us is not just that it’s nice to see outside and get the sunlight but also that it’s easier to understand the building.”

A courtyard between the new centre and the adjacent Delacy building, revealing the heritage features of the existing structure.

A courtyard between the new centre and the adjacent Delacy building, revealing the heritage features of the existing structure.

Image: John Gollings

Incorporating the research and development of commercial workplace design, O’Brien’s staff areas were set up to encourage collaboration and communication between staff. Open meeting areas, large function rooms and other spaces for bumping into one another facilitates the cross-pollination of the three previously separate services. “We used things that in the commercial sector are taken for granted but in the health sector haven’t come through yet,” says Lord.

And because the building is brand new, light and open with well-considered functional spaces, the experience of the space is ultimately more positive for staff and for patients alike. “In the end it boils down to having a nice environment to feel comfortable in,” says Lord. “Whether it’s a director’s office or a mental health bedroom, there still needs to be the same amount of care and love to the project.”

Credits

Design practice
BVN Donovan Hill
Australia
Project Team
Tracy Lord, Cristian Castilo, Michelle Farman, Joe Fiumedunisi, Paul Panell, Rodrigo De Mello, David Kidston, Julie Wong, Craig Burns, Daniel Londono, Kate Shepherd, Alex Suen
Consultants
Builder Richard Crookes Constructions
Fire services Arup Sydney
Heritage Godden Mackay Logan
Hydraulic services Waterman, Planet Plumbing Group
Landscaping Oculus Landscape Architecture & Urban Design
Lighting Steensen Varming
Project manager Coffey Projects
Structural engineer SCP Consulting
Site details
Location 390 Victoria St,  Darlinghurst,  Sydney,  NSW,  Australia
Site type Urban
Category Commercial / public buildings, Interiors
Type Commercial, Health
Project Details
Status Built
Design, documentation 9 months
Construction 22 months
Client
Client St Vincents Hospital
Website stvincents.com.au

Source

Project

Published online: 2 Dec 2010
Words: Penny Craswell
Images: John Gollings

Issue

Artichoke, December 2010

Related topics

More projects

See all
The home’s kitchen and dining area is a light, bright and airy space that’s instantly calming and incredibly tranquil. Minimalist tryst: Leichhardt Oaks

A reductive aesthetic and plentiful natural light interlace in Benn and Penna’s elemental extension to a cottage in the Sydney suburb of Leichhardt.

Significant expansion and remodelling work of the Kurt Popper-designed Elwood Talmud Torah occurred in 1972–73. A story of migration, refuge and reconstruction: Elwood Talmud Torah

Viennese émigré Kurt Popper was a remarkable and prolific architect who helped introduce European modernism to the design of Australia’s places of worship.

On a treed escarpment above Margaret River, the long, east–west axis of Ooi House captures and amplifies the essence of the place. Revisited: Ooi House

Ooi House by Kerry Hill Architects is a seminal project in Australia’s modern architectural canon. Revisiting the icon more than two decades after its construction …

The varied and unexpected ceiling heights at Fitzroy Terrace result in spatial clarity and delight. Artwork: Brooke Holm. Surprising grandeur: Fitzroy Terrace

Within a seemingly typical Victorian terrace house, new shifts in volume and dramatic apertures to the sky create the illusion of impossibly spacious proportions.

Most read

Latest on site

Calendar