Rule bender: UTS Science and Health Building

Beneath a billowing facade and singular details lies a hardworking laboratory building by Durbach Block Jaggers and BVN.

It is impossible to write about the new UTS Science and Health Building in isolation. Designed by Sydney practices Durbach Block Jaggers (DBJ) and BVN, it is one of four major new buildings at the University of Technology, Sydney (UTS) and part of a wider $1 billion campus redevelopment. The Science and Health Building is neither the most prominent of these buildings, nor the best known. A chain mail-clad colossus looming over Broadway, Denton Corker Marshall’s Faculty of Engineering and IT is easily the most visible of the new projects, while the addition with the highest profile is inarguably the Dr Chau Chak Wing Building – the new Business School – designed by World Famous Architect Frank Gehry.

The other day, as I stood gawking up at Gehry’s massively hyped “First Ever Australian Building,” its mirrored windows shimmering in the morning sun, it finally dawned on me: all of these new buildings are but variations on a theme. The Dr Chau Chak Wing Building shares a common trait with the Faculty of Engineering and IT, the Science and Health Building, and indeed even with UTS Central, the as-yet-unbuilt member of the quadrumvirate. While the buildings had different client groups, were commissioned using different procurement methods, boast different architects and host different uses, all four act as billboards for Brand UTS. Whether clad in metal, brick, fibre cement or glass, these new buildings all feature curvilinear, curtain-like facades. Free-form and loose-fit, their undulating envelopes demonstrably differ from the sensible, ordered edifices of Sydney’s other institutions. Collectively, they advertise a new breed of educational building, one occupied by collaborative, open-plan and free-floating spaces, the computer lounges and breakout rooms of twenty-first-century learning.

Flatter elevations along Thomas Street and Jones Street reflect the demanding program of the laboratories contained within.

Flatter elevations along Thomas Street and Jones Street reflect the demanding program of the laboratories contained within.

Image: Anthony Browell

There are, of course, some rather obvious distinctions between the buildings. Housing the Faculty of Science and Graduate School of Health, DBJ and BVN’s building was built for approximately half the square-metre rate of Gehry’s Business School. It occupies a much more restricted site than either Gehry or Denton Corker Marshall had to tackle – a long, thin strip that fronts Alumni Green, UTS’s prized new quadrangle. BVN principal Abbie Galvin, who went from leading the 2008 campus masterplan to collaborating with DBJ on the Science and Health Building, describes the building’s site as “a very challenging one.” During masterplanning, floor space was carved off this building and transferred to the Faculty of Engineering and IT. An angled height plane was then imposed, slicing the Science and Health Building’s envelope on a diagonal to admit winter sunlight to the Alumni Green lawn below. Connecting to the existing Science Faculty next door, the residual floor plates are mostly passageway, with a narrow allotment for rooms on either side. Where Gehry and Denton Corker Marshall had flexible classrooms and workspaces at their disposal, the Science and Health Building has a much more demanding program that incorporates intricate networks of mechanical services, strict proportions for the laboratories and a fixed arrangement between labs, write-up stations and offices. However, “it was too narrow to be a textbook laboratory building,” says DBJ director Camilla Block. Something had to give.

Encouraged by BVN’s backing, DBJ’s competition-winning design challenged the masterplan. Defying the tapering envelope specified for the building, they instead proposed a floor plan that bulged in and out. The rationale for this strategy was brilliant: the wavering facade would allow just as much sunshine to reach Alumni Green, only in deep patches rather than a narrow band. By widening and varying the plan, the design team was able to provide relief from the relentless corridor, creating deliberate misalignments, slippages, recesses and voids. A rich array of lighting and atmospheric effects complements the variation in plan. There are windows to outside, windows to inside, windows into voids, wall-mounted lamps and downlights. Sculptural “cannon” skylights radiate colour, while glowing green beakers hang from the auditorium’s ceiling.

A concrete stair coils through the building.

A concrete stair coils through the building.

Image: Anthony Browell

The architects had to bend the rules for another good reason. The masterplan called for a colonnade spanning the length of Alumni Green, but following the competition phase, vast subterranean spaces were added to the brief. The most significant of these is a 52-metre-long room equipped with twenty-six scientific workbenches and a seemingly infinite array of computer screens. According to UTS, this “Super Lab” is the largest teaching laboratory in the Southern Hemisphere. In another firm’s hands, the underground spaces would be dark and joyless, but DBJ and BVN ingeniously repurposed the colonnade as a light scoop, funnelling light into a 10-metre-high void. Lined in reflective white mosaic tiles, and approached through a progression of grand staircases, the basement has a tranquil grandeur reminiscent of Alvaro Siza’s Lisbon train stations.

Just as it is impossible to write about the Science and Health Building in isolation, it would be easy to provide a very different description of it. As in all DBJ projects, there are delightful, strange and quirky details at every turn: from the entry doors, handpainted in homage to Le Corbusier, to the cloud-shaped gazebo on the top-level terrace that seems plucked from Kazuyo Sejima’s back catalogue. More notable, however, is the restrained interior scheme that contrasts bespoke elements with well-designed, generic office and laboratory spaces. “You learn to be strategic about where you spend money and effort,” says Block, comparing the effect to one of “chorus and soloist.”

Clearly, money and effort have been less strategically employed in the other new UTS buildings. In Gehry’s case, more money means less need for effort, with the $180 million Business School luxuriating in swathes of open circulation space. On the other hand, it is hard to see precisely where money and effort have been invested in the Faculty of Engineering and IT, with its aluminium scrim tacked on to a grim, rectilinear interior. Neither extravagant nor cheap, the Science and Health Building is a dynamic balance of freedom and constraint, its playful facade liberating an otherwise linear laboratory building.


Durbach Block Jaggers Architects
Sydney, NSW, Australia
Project Team
Durbach Block Jaggers: Neil Durbach, Camilla Block, David Jaggers, Stefan Heim, Erin Field, Deborah Hodge, Sarah Kirkham, Xiaoxiao Cai, Alex Holman, BVN: Abbie Galvin, Paul Pannell, Elena Bonanni, Kristin Neise, Erika Halim, Manny Prouzos, Ian James, Michael Janeke, Benjamin Chew, Laura Robinson, Valentine Steisel
BVN Architecture
Melbourne, Vic, 3000, Australia
Accessibility consultant Morris Goding Accessibility Consulting
BCA Steve Watson & Partners
Colour consultant Lymesmith Polychromy
Cost consultant Davis Langdon, AECOM
ESD, mechanical and electrical consultant Steensen Varming
Facade consultant Surface Design, Kingston Building Group
Fire and hydraulic consultant Arup
Greenstar consultant Steensen Varming
Landscape architect ASPECT Studios
PCA Steve Watson & Partners
Planner JBA Urban Planning
Project manager Savills Project Management
Structural engineer Taylor Thomson Whitting
Site Details
Site type Urban
Project Details
Status Unbuilt
Completion date 2014
Category Education, Public / commercial



Published online: 2 Jul 2015
Words: David Neustein
Images: Anthony Browell, Darren Bradley, Peter Bennetts


Architecture Australia, May 2015

Related topics

More projects

See all
Imagined as a pure form in the landscape, the design for Bombala Farmhouse captures the minimalist aesthetic of modernist artworks. First House: Bombala Farmhouse

When a family friend bought a property in southern New South Wales, Penny Collins and Huw Turner, of Collins and Turner, jumped at the chance …

The hotel’s two-storey accommodation villas are positioned radially across the site, with chasms between them framing views of the mountains in one direction and the sea in the other. ‘Necessary and motivating’: The Tiing

On the north coast of Bali, a new hotel responds intuitively to its local context, with accommodation carefully angled to reflect the balance of Balinese …

The museum and a cultural park have been built in the Binhai New Area on land reclaimed from Bohai Bay over the past decade. Shells, sails and upturned hulls: National Maritime Museum of China

China’s first comprehensive maritime museum at once reflects contemporary globalism, the marine history of the local area and a profoundly Australian style of architecture rooted …

While the darkness of the roof cavity appears to extend space vertically, the living room at the back of the house creates a sense of depth. In praise of shadows: Terrace House near Demachiyanagi

Atelier Luke’s diminutive Japanese-Australian architectural hybrid reconstitutes the fabric of the original townhouse in a respectful yet compelling way, creating spaciousness as much through darkness …

Most read

Latest on site