Justine Clark is an architecture editor, writer, critic and researcher. Educated at the University of Auckland and Victoria University of Wellington, she is a former editor of Architecture Australia.
She is also a honorary senior research fellow at the University of Melbourne. With Naomi Stead, Karen Burns, Sandra Kaji-O’Grady, Julie Willis, Amanda Roan, Gillian Whitehouse and Susan Savage, she is a chief investigator on the Australian Research Council-funded project Equity and Diversity in the Australian Architecture Profession: Women, Work, and Leadership.
She is the editor of Parlour: women, equity, architecture, and recently began writing architectural criticism for The Age.
Justine Clark's Latest contributions
Engendering architecture
Women’s involvement in architecture is not only about social justice, it’s an economic imperative.
Architecture Australia Volume 100
Editor Justine Clark’s editorial from the January 2011 edition of Architecture Australia – the 100th edition.
Farewell from Justine Clark
Departing editor of Architecture Australia Justine Clark’s last editorial.
Housing Futures
An introduction to looking at housing not just as a house, but in all its forms.
World Architecture Festival 2010
Justine Clark reports on the third World Architecture Festival.
Sydney Park amenities
Stanic Harding’s small insertion at Sydney Park makes a significant contribution to the amenity of the area.
Mornington Centre
From medical centre to country club – at the Mornington Centre Lyons seek to change the paradigm of aged care.
Architecture Australia-Unbuilt
The AA Prize for Unbuilt Work had a significant role in Australian architecture in the 1990s. As a prelude to announcing our revitalized prize for unbuilt work, we present winning entries from the past along with our plans for the future.
Books
BLIGH VOLLER NIELD Introduction by Joseph Rykwert and Xing Ruan. China Architecture and Building Press, 2005. $ 70. A scrapbook of text, images, technical drawings, …
Event
Justine Clark reflects on last year’s symposium, and Peter Myers makes a riposte against the theme.