People

Émigré architect and civil servant Roman Pavlyshyn’s influence on the development of public architecture in 20th Century Queensland was profound.

Victoria King, a University of Melbourne graduate who won the Royal Institute of British Architects’ prestigious student prize, speaks with ArchitectureAU.

Thom Mckenzie of Winwood Mckenzie formed his Melbourne-based studio after working in New York and Milan. His approach is based on an intimate understanding of the construction process and interrogating how things are built.

In the past decade, this Australian-born, London-based light artist and designer has seen his experiential and monumental installations exhibited around the world.

A foundation member of the Society of Designers for Industry, Edmond “Ted” Worsley is remembered for his dedication and foresight.

The distinct yet complementary methods of CO-AP Architects principals Tina Engelen and Will Fung are united in the work by the practice, bridging design generations to make a marked contribution to Australian architecture.

In this wide-ranging interview architect, activist and academic Sharon Egretta Sutton reflects on action and rebellion in the 1960s, income inequality, and the urgent need for disruption in architecture schools today.

For Esther Stam, founder and creative directure of Amsterdam-based interior architecture studio Studio Modijefsky, good hospitality design happens when there is robust collaboration.

German-born, classically trained hotel manager Timo Bures doesn’t believe in hotels as “homes away from home.”

Marijn Schenk, co-founder of Dutch practice Next Architects, spoke with Landscape Australia about collaboration, new perspectives and the pursuit of social and ecological agendas.

Graeme Davison and Alan Pert remember the late David Yencken, a prodigious contributor to the built environment and Victoria’s “unofficial minister for design and environmental planning.”

Stephen Todd profiles French architect Odile Decq, who has spent her career “swimming against the tide.”

“The future is not so dangerous and it is precisely the interesting questions for the future that make us draw better projects.”

In Bangkok, vibrant young studio Shma is working to transform the public realm through a series of self-initiated, community-oriented projects.

Fox Johnston shows how the tenets of good design are transferable and a human-focused approach to architecture essential.

Leah Gallagher and Marjorie Dixon, of Kin Architects, formed their Brisbane-based practice in 2017 with a desire to design people-centric architecture that respects the history and context of their city.

With a fearless yet holistic approach to site, Sparks Architects imbues its climate-responsive work with lyricism and a careful regard for the intangible energy of a place.

Australian-born architect Peter Wilson, winner of Institute’s Gold Medal, on his relationship to Melbourne, and a practice model built on winning competitions.

Ahead of an appearance in Sydney, Paulette Christophersen, of Copenhagen-based practice PLH Arkitekter, explains her response to the fluidity of the modern workplace.

Ken Maher remembers an architect who was passionate about cities.

Armed with a finely crafted material palette that evokes memory and invites patina, Sydney practice Panov Scott Architects creates thoughtful architecture that embraces people and the pattern of the city.

A passionate advocate for Australian design, pioneering interior designer Keera Le Lievre has passed away.

Born Roelof Heins on 18 May, 1936 in Palembang in Indonesia to Dutch parents, Rolf Heins made a remarkable impact on interior design practice in Australia.

Griselda Balian, founding partner at BAAG (Buenos Aires Arquitectura Grupal), will speak at the Housing Futures conference in Melbourne on 26 July.

Cultivating a dialogue between architecture, community, and context, James Fraser, director of Makers of Responsive Architecture (MORA), designs homes inspired by landscape.

Sydney-based industrial designer and self-taught artist Gunjan Aylawadi makes paper weavings inspired by her memories of India.

Architect Howard Tanner remembers the late Enrico Taglietti, who brought a European sophistication and sensibility to the national capital.

The daughter of a butcher and granddaughter of a painter, Lisa Cooper creates extraordinary floral works that are at once beautiful, layered and sublime.

Exhibiting an affinity for sculpting space and material, B. E. Architecture has rigorously honed its craft for more than two decades, resulting in an extensive portfolio of refined residential architecture.

Alert to the contemporary complexities of housing affordability and an ageing population, this emerging Brisbane practice is designing progressive residential architecture to future proof the suburbs.

Oliver Wainwright, the Guardian’s architecture and design critic talks to ArchitectureAU editor Linda Cheng about the link between financial markets and the shape of our cities.

Joseph Lovell and Stephanie Burton only officially opened their studio in 2018 and have already completed two houses and won a Houses Award, and they have many more projects in the pipeline.

Ahead of an appearance in Auckland, London-based architect Amin Taha explains his belief in the importance of material as the basis of design.

Queensland architect Lou Hailey, who brought a “fresh, modernist design approach” to Brisbane, is remembered by Bruce Wolfe and Grant Buglar.

Danish Design Centre CEO Christian Bason on leveraging design thinking and local cultures, skills and capabilities to help regional centres regenerate after industrial decline.

Highly collaborative and solution-focused in its approach to designing, Marston Architects creates homes that connect people with the beauty of the natural world and enhance the enjoyment of day-to-day life.

Against all caution, city dwellers Phillip Nielsen and Aaron Nicholls established a now-thriving architecture studio in a rural town deprived of an architect since 1973.

Reinier de Graaf, co-founder of OMA’s research arm AMO, discusses its investigations, the profession’s current interest in research and architecture’s cardinal sins.

Ahead of an appearance at The Architecture Symposium, Brisbane, architect Boonserm Premthada of Bangkok Project Studio talks about designing for the senses.

Despite starting his practice during the Global Financial Crisis, Philip Stejskal has grown his practice to encompass modest alterations and additions to elaborate new houses.

In the past three years, Clayton Orszaczky has completed eleven projects, with many more in the pipeline. Co-directors Rebekah Clayton and Michelle Orszaczky discuss their approach to residential design.