In referencing Bunjil the Creator, FJMT’s Bunjil Place raises ongoing questions about recognition, symbolism and community space.
A play on levels, roof planes and uncommon craftsmanship, this 1970s house by Allen Jack and Cottier – long kept somewhat secret – is a thrilling exemplar of the organic modernism of the Sydney School.
By responding to site at a variety of scales, Iredale Pedersen Hook Architects has designed a new primary school building in Perth’s Highgate that offers both intimacy and engagement with its inner-suburban context.
A garden pavilion designed by Christopher Polly Architect provides a striking counterpoint to a 1960s brick bungalow, subverting the physical and conceptual limitations of an “unapologetically suburban” setting.
London-based architecture firm Universal Design Studio with Mather Architecture has restored and redeveloped the historic Canberra Centre into a sophisticated urban retail precinct.
A collaboration between five architectural practices, RMIT University’s New Academic Street revels in diversity as a series of “theatrical stage sets” reinvigorates utilitarian buildings and reconnects them to their urban setting.
GHDWoodhead’s transformation of the 1970s Geelong headquarters of Victoria’s largest urban water corporation into a striking contemporary office is symbolic of the urban renewal at the regional city’s cultural and civic heart.
Curiosity and humility colour John Wardle Architects’ approach to designing this new learning and teaching building at Monash University’s Clayton Campus, where references to the landscape cultivate a rich field of spatial and learning experiences.
In this robust work of adaptive re-use, Peter Stutchbury Architecture has reached back into history to transform an ensemble of former hospital buildings in Sydney’s Green Square Town Centre into a dynamic public arts precinct.
With care for Country a critical aspect of its design, the krakani lumi standing camp is Taylor and Hinds Architects’ poetic and evocative interpretation of the traditional shelters built by Tasmania’s Aboriginal people.
An unusual Victorian terrace house with ties to Ned Kelly and the Eureka Stockade has been sensitively updated, with a geometrically imaginative addition creating new living space while respecting the original house’s character.
Hovering above the garage of a terrace house, this unassuming studio creates a calm space to listen to and make music, while also breathing life into an existing courtyard.
A bold, sculptural form rising among quaint weatherboard bungalows, this Northcote house playfully addresses its heritage context while providing a warm and joyful home for a family of five.
Working within tight budgetary constraints, Bark Design Architects’ Curra Community Hall elegantly reinterprets a regional typology to create a flexible and memorable space for a small rural community.
Before making the decision to launch their practice, architects Chris Major and David Welsh were presented with a friend’s small single-storey worker’s terrace that was in need of renovation. Sixteen years later, David Welsh reflects on this seminal project.
A composition of stacked and shifted modules, this experimental but elegant house by Oser Fombertaux and Associates, completed in 1966, is emblematic of a European-inspired modernism that defined the architecture of postwar Sydney.
An addition to a cottage that had been home to members of the architect’s family since 1939, this project by Deicke Richards balances memory and nostalgia with the need for better connection to the landscape.
Subverting the traditional suburban layout, this robust, materially honest house by Those Architects creates a series of interconnected indoor and outdoor spaces across an unremarkable Freshwater block.
Cutting a dramatic curve through its inner-Melbourne lot, this distinctly “Wrightian” house by Multiplicity is grounded in its garden setting and built for family life.
This new apartment block by Woods Bagot with Hecker Guthrie fits neatly into the fabric of its village street, while perfectly suiting its inhabitants, who wish to simplify life.
Built as an escape from everyday life, this off-grid cabin by Maguire and Devine Architects celebrates the Tasmanian landscape and is a reminder of simple pleasures.
This new beach house by Architects Ink is an elegant and respectful re-imagining of the original modernist-style shack that once stood on the site.
The Beehive, designed by Raffaello Rosselli Architect with Luigi Rosselli Architects, is a poetic exploration of the aesthetic and structural potential of recycled materials as applied to the design of this architectural family’s own Surry Hills studio.
Dissolving the distinction between inside and out, architecture and landscape, Rose House 2 in Melbourne’s Fitzroy North builds on Baracco and Wright Architects’ well-established, reparative approach to site, context and ecology.
A collage of the textures and colours of Fitzroy’s built history, this playful addition to an 1850s terrace by Austin Maynard Architects aims to ‘give something back’ by creating a lush oasis in the heart of the inner city.
Inspired by the tiger prawn, this terrace house renovation by Wowowa Architecture is both a gesture designed for public delight and a series of playful spaces to be privately enjoyed.
Distinctive for its geometric clarity and minimalist material palette, this precisely curated extension to an existing Queenslander by Hogg and Lamb responds to the intensity of the sun and evokes a sense of calm.
Agius Scorpo Architects’ clever reconfiguration of a twenty-three-square-metre apartment within Melbourne’s early modern Cairo Flats preserves the modernist spirit while creating space for a contemporary life.
Architect Simon Pendal reflects on his first project, his own house in Fremantle WA, which he built with his life partner Rebecca Angus.
One of Adelaide’s best maintained examples of mid-century residential architecture, this 1958 house offers a model of clarity for what matters in daily life.