Surrounded by off-the-plan project homes on a new estate, this house by Eldridge Anderson marries pared-back simplicity with the joy of detailing to deliver an outcome that is rational rather than boisterous.
Drawing on existing constraints and opportunities, this renovation to a nineteenth-century terrace house by Tom Robertson Architects has transformed a “cramped and dark” space into a home that works perfectly for its owners.
Strategic vistas and subtle shifts in plan enhance informality and openness in this addition to a Californian bungalow by Mark Szczerbicki Design Studio.
This “low and wide” addition to a freestanding cottage by Rob Kennon Architects minimizes impact on its site and surroundings while prioritizing a life lived outdoors.
With a form derived from the welcome intrusion of two jacaranda trees and a focus on ease of mobility, this large but nuanced house by Popov Bass is an exemplar of complex architectural problem-solving.
An abstraction of the postwar cottage, this addition to a Brisbane hillside house by Owen Architecture is expressed not as a fragment or extrusion but as a hipped-roof whole.
Architect Kate Fitzgerald of Whispering Smith prevailed against government regulations to create this compact home in Perth that represents a novel approach to increasing density in the suburbs.
A permanent residence for ten adults with disabilities, this group home in Sydney by Candalepas Associates demonstrates how a building designed specifically for group housing balances independence and care.
Schored Projects’s Coburg Townhouses, a community housing development in Melbourne’s north designed for women in need, reminds us of the capacity for social architecture to make change.
Drawing on design details of North Melbourne’s eclectic housing stock, this addition to a grand Victorian terrace by Matt Gibson Architecture and Design delivers a cohesive and simple built form, which reveals its adaptations over time.
This bold, minimal addition to a hillside house by Preston Lane Architects makes the most of a relatively modest budget, with the new spaces designed for diverse modes of use.
Kerion Gait Architects’ elegantly crafted garden pavilion set in a newly formed landscape evokes a sense of openness and sociality, in contrast to the existing 1920s Queenslander.
Marked by an impressive attention to detail and an idiosyncratic handling of materials, this house by Ritz and Ghougassian eschews the traditional backyard in favour of an “inward-looking” approach.
A multi-generational home and commercial tenancy coexist in St Kilda’s Mixed Use House, designed by Matt Gibson Architecture and Design with DDB Design, to explore and rethink traditional family housing typologies.
In Melbourne’s bayside suburb of Brighton, March Studio’s Compound House offers a considered response to site and planning constraints and continues the firm’s keen interest in experimental fabrication.
Appearing as an object in the landscape and giving generously to its inner-Sydney context, Cowper Street Housing by Andrew Burns Architecture reasserts the well-loved terrace as a relevant and useful housing type.
Through a forensic and addictive process of discovery, John Wardle Architects has painstakingly added to and restored this cliffside cottage on Bruny Island with “humble deference” to its history and the world-wanderer who called it home.
Often in life, everything happens all at once – and this was the case for Fiona Winzar of Fred Architecture, who twelve years ago started her own architectural practice while pregnant with her baby, Agnes. Fiona reflects on the first project that began this new chapter of her life, Eyelid House.
This clever new home by Po-co Architecture, set on a narrow site in an inner-city suburb, is a light and airy place of retreat from the city while still enabling a connection with it.
Through a series of simple but effective alterations Northbourne Architecture and Design has transformed an existing terrace house into a more functional, light-filled home with a luminous street presence.
Arising from the undulating dunes of Cape Otway, this house combines a classic nine-square plan with a floating, independently resolved roof profile that controls and enhances panoramic views.
Designed by Carter Williamson Architects, the exposed structure of this former timber factory encourages consideration of not only the house’s final form, but also its individual parts.
Built on a long, narrow site in 1985, this meticulously crafted island retreat designed by Ken Woolley blends seamlessly with its environment, while reading as a small village of interconnected buildings and shapes.
A simple pavilion formed from the remnants of an existing shed, this “thrillingly simple” project makes the most of its majestic site.
Resting on a steeply sloping, heavily damaged site, this house by Teeland Architects works to stabilize and rehabilitate the land while offering expansive views of the forest beyond.
A house with an unlikely history is given an unashamedly contemporary renovation by Ha Architecture, Product and Environment that still references the original Edwardian form.
Unfolding behind a facade just 3.7 metres wide, this light-filled and spatially expansive house by Woods Bagot provides a blueprint for successful urban infill projects.
In a slow-growth forest in the Byron Bay hinterland, the final dwelling in a collection of powerful, monumental concrete structures designed by CHROFI has been completed – all designed to endure.
Responding eloquently to its lightly forested, sloping site, this earth-toned house by Moloney Architects has been split into two, with a bathing and sleeping pavilion sitting above an open-plan living space.
Completed in 2004, this pavilion was one of the first projects by Andrew Burges Architects. Thirteen years later, Andrew reflects on how this pavilion began his practice’s lineage of meticulously documented and atmospheric projects.