A layered arrangement of volumes and materials gives this new home by Andrew Burges Architects a spatial richness and complexity that balances privacy and outlook.
Designed according to the philosophy that “less is more,” this layered family home by People Oriented Design offers an engaging contribution to the conversation about twenty-first-century Queensland architecture.
Set alongside a train line, this new house makes the most of its challenging setting to create a private and secure place of retreat for its owners.
David Mitchell Architects reworks his own inner-Sydney worker’s terrace to create a light-filled home and studio that offers a “site-specific theatre performance.”
A “nearly derelict squat” has been transformed into a labyrinthian dwelling that celebrates the work of an artist who once called the site home.
A striking pavilion duo by Sparks Architects that encourages a connection with the landscape while referencing the heritages of the owners.
A pair of pavilions come together to create a family home that considers privacy, thermal comfort and spatial delight.
A home for “simple, rugged, no-fuss living”: Upsilon House by MCK Architecture and Interiors.
A home by Troppo Architects that’s “always forest, always beach, always lighthouse.”
Jule House by Claire Humphreys and Kevin O’Brien Architects delicately references a family’s past while offering a setting for contemporary living.
To meet the brief, which included housing five cars, Shaun Lockyer Architects used a relatively simple construction of brick, steel sheeting and fibre cement and then “lifted up” a level, offering tremendous views.
An interplay between “sensual curve and straight edge” gives spatial drama and delight to this addition to a Federation home by Christopher Polly Architect.
Stephen de Jersey Architect has extended the spatial and material characteristics of an old Queenslander to result in a striking yet respectful addition with delightful settings for everyday living.
A trip to Selgas Cano’s Silicon House and architecture office in Madrid, as part of the 2016 Dulux Study Tour, revealed a celebration of the natural environment and the social approach taken by the practice.
Designed in 1955 by Chancellor & Patrick for Gerald and Ellen McCraith as a holiday house, this home captures the optimism of Australian beach culture at the time.
Ola Studio take cues, but not directly, from the existing 1880s home to create Garth House.
The Rose Bay House by Tonkin Zulaikha Greer Architects offers a journey that’s much like walking through a forest.
A small postwar home with a large backyard has been reworked to create a much longer and more flexible house, a courtyard now wrapping around its central living spaces.
David Weir Architects creates an“energetic” one-bedroom cottage that provides a place to live and a place to work.
Neil Clerehan’s Fenner House, designed in 1964, has been added to the Victorian Heritage Register.